Arts Venues Adapt: A conversation with Kupferberg Center’s Julia del Palacio

by Michael Deering

Throughout the pandemic, I’ve had the opportunity to speak with individuals all around Queens College about their experiences working through the pandemic. I recently spoke with Julia del Palacio, of QC’s Kupferberg Center for the Arts. It was interesting to hear about the Center’s transition to virtual events, and to hear about Julia’s personal transition to remote work.

MD: Hi Julia, thank you for doing this! To start out, what is your title and how long have you worked at Kupferberg Center for the Arts?

JD: It’s my pleasure! My title is Director of Strategic Partnership and Development, and I’ve been at Kupferberg Center for six years.

MD: Before COVID, what was your average workday or workweek like?

JD: I would leave home at around 8:15 with coffee in hand, make it into the office at around 9, and check in with Kupferberg Center’s Executive Director and AVP of Governmental and External Affairs for the College, Jeff Rosenstock. We would chat about the day, approaching deadlines, the news, and anything else related to what we do. The morning would go quickly and then I’d have lunch with my colleagues Liza and Maria, or at my desk. I’d attend meetings in Colden Auditorium, the Student Union, Rosenthal Library, or the Godwin-Ternbach Museum. I would move around the campus quite a bit, actually. That went on until 5 and then I’d either stay for an on-campus event or go home. 

MD: How has this changed as a result of the pandemic? What does a typical remote work day look like for you?

JD: These days I check in with Jeff from my desk at home, drink my coffee there. I usually also have my lunch at the desk as well as all my meetings. I’m not moving around as much or seeing as many people. It’s a little sad, come to think of it.

MD: I’m glad you reached out about Kupferberg’s virtual programs as they are a perfect fit for our Culture Watch blog posts about virtual cultural events. Was Kupferberg streaming events before the pandemic? How did these programs come into being?

JD: Kupferberg Center was not streaming virtually before the pandemic. We present a large variety of events both on and off campus, so we never saw the need to stream, since we were already reaching a large and diverse audience, and let’s face it, people weren’t watching whole concerts online as much. Once it became clear that we wouldn’t be able to open our theaters for many months, we started putting our online programming together. It took a little while, but we are now very much up and running. We presented a widely successful summer concert series and are now excited for our fall season, which started with the kick-off concert for our Music Makers: An Alumni Concert Series, featuring graduates from the Aaron Copland School of Music. Going forward, we will have visual arts, literature, family programming, and theater events most weeks.

MD: It’s great that Kupferberg is using resources from Queens College for a lot of these programs. The Godwin-Ternbach Museum and alumni from the Aaron Copland School of Music for example. How do you go about selecting artists to present these programs?

JD: We have incredible talent and resources on our campus, for sure. The Godwin-Ternbach Museum is directed by Maria Pio and Louise Weinberg, who do all the curatorial and programming work. Since the Museum is part of the Kupferberg Center umbrella, we’re happy to be co-presenting their new exhibition, “Human Nature: Portraits from the Permanent Collection” and some of the programming that will accompany it. Maria, Louise, and President Wu will actually be chatting about the exhibition online via Kupferberg Center’s social media on September 29 at 7pm. In terms of the alumni series, a lot of the work was done via recommendations from other graduates and ACSM’s faculty. We’re excited to have chosen a diverse roster that features alums Sofia Tosello, Jan Kus, Alex Conde, and Alberto Jimenez with their respective ensembles. 

MD: Beyond entertainment, are there any messages or goals that the Kupferberg Center is hoping to share with its audiences through programming?

JD: We hope that the programming that we’re offering gives audiences a much-needed respite from the constant flow of (not-so-good) news and the daily grind of home offices and distant learning. Our message is one of collaboration, diversity, and celebration of our Queens community and the myriad cultures that come together in our borough and New York City.

MD: I want to thank you again for reaching out and for taking the time to speak with me! For my last question: Do you have any favorite virtual events that either already occurred or is upcoming?

JD: All of our events have been and will be fantastic! If you twist my arm, however, I’d highly recommend Nixtaband and Claudia Valentina from our summer concerts (which can be watched on our YouTube channel), and the Alex Conde flamenco piano concert of November 17. We will have programming pretty much every single week, so check out our calendar at www.kupferbergcenter.org and join us!

Civic Participation and the US Census: A Conversation with Professor Andrew A. Beveridge

I recently had the pleasure to speak with Andrew A. Beveridge, Queens College Professor Emeritus (Sociology) and a nationally recognized expert on the US Census. Professor Beveridge has consulted for The New York Times since 1993, where his analysis of Census data has informed numerous news reports and maps. He and his team developed Social Explorer, which allows users to visualize and map change in the US. (The library provides our users full access to Social Explorer: click here to login.)
 

We spoke during a break in a busy workday, which found Professor Beveridge providing expert testimony in a Islip Long Island court case involving redistricting and voting rights. Our conversation has been edited for length and clarity.
 

Hello Professor Beveridge! The library has a new guide to citizenship, civic participation, voting, and the Census. I hope our conversation today will help people understand why the Census is so important. You’ve been at this a long time. When did you first start working with US Census data in your teaching and research? 
 

I started in graduate school, assisting an economics professor who worked with Census data. He had computer punch cards in his basement with demographic information from the 1940 Census, and they were so old, the cards were rotting!  I organized a team of graduate students to transfer these old, damaged cards to magnetic tape–some were bent, or mildewed. We rented a machine that tried to straighten the punch cards, and ended up getting most of them preserved.

You’re testifying today in a redistricting case. Can you tell me about your history with these issues?

I taught at Columbia from 1973-1981. When I came to Queens College, we moved to Yonkers and I got involved with Yonkers politics. The real fight in Yonkers at the time was about whether the city would comply with court orders on desegregating housing. 
 

The city council decided not to comply with the law, and the judge held them in contempt of court. The fines eventually reached $1 million per day of defiance. I was president of the school board, and worked with the court appointed monitor, working to transfer money to keep the schools open.
 

In redistricting, Yonkers had split the black community and split the Latino community, and I ended up under court supervision redrawing the districts. 
 

Am I right to guess that Census data is used in these redistricting battles?
 

Yes. I got involved in census data by working on redistricting, and learning the history and demography of Yonkers. The discrimination and segregation [in Yonkers] can really be measured part and parcel with Census data.
 

I ended up working with an organization called the Metropolitan Action institute, which was involved in efforts to desegregate the suburbs. And I began working with The New York Times in 1993, using census data to track many trends, including immigration, change in economics, and a host of others. 
I’ve also worked on jury composition challenges, which use Census data. 
 

We’ve been doing library programs this fall on social justice, institutional racism, and student activism. Does Census data come into play in these kinds of civic discussions? 
 

Absolutely. With the Census, you can show there’s a housing disparity, or a group is being denied political power by not being represented.
 

What’s the most important lesson you’d like young people to learn about the Census, and how the US government gathers data about the country? In other words, why is this stuff so important? 
 

There are 2 main things the Census is about: money and power. It’s used to divide power through legislative districting, and distribute $1.5 trillion in federal funding per year that’s tied to the census, as well as state funding. The Census is used to lay out virtually every legislative district in the country. 
 

What are your biggest concerns about Census 2020?
 

This census is the most fraught in my lifetime. We’ve never seen people play around politically with the Census like this time. I think of Biafra, the Nigerian civil war was triggered by a Census, censuses have triggered wars in other countries. Historically, the Census has always been mandated to collect data on the whole population: not to ignore aliens or anybody in the country, regardless of their citizenship. Now we’re seeing proposals to stop the count early, and eliminate the counts of undocumented people: all of that is an assault on the Census. It’s an effort to undercount minorities and immigrants to tilt the balance of power toward whites and Republicans.
 

Is the degree of politicization around the US Census new, or have we seen this before?
 

Well, the 1920 census was originally rejected by Congress, because it showed the increasing political power of the cities, because of the population growth there. There were rural power brokers in Congress who fought that.  
Should any of our students and their families be afraid of filling out the Census?
 

You shouldn’t worry about the data being shared, even if you’re undocumented. You should be more afraid of not filling out the Census! 
 

In general, you should be counted even if you did not fill out the Census, through a statistical technique called “proxy and imputation” responses. [Note: see this guide from the Pew Center to learn more about imputation and the Census.]
 

Though the Trump Administration is trying to eliminate all proxy and imputed responses. In 2010 this was 7% of all responses, this round due to the pandemic, it may be more.  Thanks to a court order, you have until the end of the month to fill out the Census, unless the Supreme Court stops it.  So if you haven’t filled it out, do it today.

Open Access Week to Feature Library Events on OER and Scholarly Publishing

Each October, researchers, educators, and scholars all over the world participate in hundreds of events to mark International Open Access Week, now in its 13th year. The Open movement seeks to make scholarly literature digital, online, free of charge at the point of use, and free of most copyright and licensing restrictions. 

Queens College Library is proud to announce two Open Access-themed events:

On Wednesday, October 21 at 3 PM, Emerging Technologies and Digital Scholarship Librarian Leila Walker will present Getting Started With Open Educational Resourcesa workshop on how to find and teach effectively with OER.

On Thursday, October 22 at 3 PM, Scholarly Communications Library Nancy Foasberg will present Scholarly Publishing and Author’s Rights: Your Writing and Your RightsIf you have questions about publishing contracts, copyright, or what you can and can’t share after your work is published, this is the workshop for you!

Both workshops are free and open to all. 

Celebrating Diversity – Italian American Heritage Resources

Research Services Librarian Alexandra de Luise, liaison for Italian American Studies, presents highlights from the Italian American Studies Guide.

Welcome! The month of October has been designated Italian American Heritage month – although it has been known to stretch from September to December. It is a time of reflection and coming together- via Zoom lectures, Youtube talks, poetry events and more- to highlight Italian American heritage and culture in all its many facets for this fifth largest ethnic group in the United States. Aspects of our history, such as immigration, assimilation, family life, and social history, are well known to most. But present day scholars, including some writing from outside the U.S., are delving into new areas, including transnationalism, diaspora, food culture, film, gender, and sexuality.

Featured E-Resources and Websites

i-Italy   ‘A guide to everything Italian in America.” A fascinating bilingual blog/magazine/website of information and video clips, the project of the John D Calandra Italian American Institute.

Italian American Studies Association (formerly American Italian Historical Assn.)  Association devoted to the interdisciplinary study of the culture, history, literature, sociology, psychology, demography, folklore, and politics of Italians in America.

Italics, Television for the Italian American Experience. The Italian American magazine of CUNYTV, the online television program, produced by the John D Calandra Italian American Institute, hosted by Dr. Anthony Julian Tamburri, Dean of the John D. Calandra Italian American Institute.

Featured E-Books


A Companion to Martin Scorsese

Aaron Baker, 2014

Flushing born film director Martin Scorsese is one of America’s most prominent contemporary filmmakers, and the focus of this series of essays.

Cover Art

The Italian American Table: Food, Family, and Community in New York City

Simone Cinotto, 2013

Pioneering study on Italian American food culture in New York City.

Description: https://images-na.ssl-images-amazon.com/images/I/51JKcALQxIL._SX348_BO1,204,203,200_.jpg

The Routledge History of Italian Americans 

William J. Connell (Editor); Stanislao G. Pugliese (Editor), 2018

Encyclopedic collection of essays by leading academics in the  field of Italian American Studies. 

Return of the Rare Books!

Did you know that the Benjamin S. Rosenthal Library is home to a collection of over 2000 rare books and manuscripts, the scope of which reflects the history of print culture over the past 600 years? Due to an unfortunate flood in the storage room where this collection was held, the materials became hazardous and were inaccessible for over a decade. Now, due to the generosity of Shirley Klein, a life-long bibliophile and loyal friend of Queens College, the entire collection has been remediated and will once again become an asset for the campus community.

Highlights of the collection include a 13th century manuscript copy of the medieval Persian poet Sa’di’s The Gulistan, 11 editions of Cervantes’ Don Quixote de la Mancha including the first edition printed in English in 1620, and three part-publications of Dickens novels including Dombey and Son (1848). There are over 600 titles of juvenile fiction from the late 19th to the first half of the 20th century, and many books autographed by the author, including some major ones, such as Graham Greene, Aldous Huxley, Virginia Woolf, Jack Kerouac, and José María Arguedas.

In December the books were taken offsite, where trained technicians used advanced HEPA vacuums, chemical treatments, and other specialized cleaning techniques to remove mold from each of the 2,500 books, rendering them safe for access. The collection was originally slated for return in April, but the library was closed due to the COVID-19 pandemic. Finally, on September 18th, the rare books made their triumphant return to Rosenthal, delivered to our brand-new, climate controlled storage space on nine pallets. 

Much work remains to be done to ensure that the collection is properly housed, shelved, and cataloged. For now, we celebrate the books’ return and express our gratitude to Shirley Klein for providing the library with resources needed to save the collection. Those who want a sneak peak can peruse digitized selections of more recent donations (unaffected by water damage) at https://www.jstor.org/site/queenscollegearchives/rarebooks/

E-Resources News

New Databases Available for a Limited Time

The library has trial access to two new resources you may find of interest; Theatre and Drama Premium and Naxos Spoken Word Library. They are both available in our complete list of databases.

Our trial access to Theater and Drama Premium runs through November 22. It includes:

The National Theatre Collection
Broadway HD
The Royal Shakespeare Company Collection
Asian American Drama
Black Drama
…and much more.

We have access to Naxos Spoken Word Library through October 31. This is a collection of audio readings of works of all kinds, including fiction, poetry, history, business, and religion. There are significant holdings in French and German, too!

Keep Current With Electronic Resources

We also have a new Electronic Resources Dashboard. Visit for the latest information on new resources, database trials, and any outages or other technical issues affecting database access.

The main Library FAQ page has a link to the Dashboard, as well as to the Electronic Resources Access Form. Use the form to report any problems you experience with database access. 

Culture Watch: QC Library Recommends (Oct. 2020)

by Michael Deering

October is in swing! Autumn colors are starting to appear and Halloween is coming! This month, we tapped more of our own Queens College venues including the Kupferberg Center for the Arts and the Godwin-Ternbach Museum of Art.

Theatre

  • From Friday, October 9 through Thursday, October 15: Brooklyn venue St. Anne’s Warehouse will be streaming a trilogy of Shakespeare on film beginning with Julius Caesar. Entirely cast by women, the trilogy was filmed at Donmar Warehouse in London and is hailed as “one of the most important theatrical events of the last twenty years” by The Observer.
  • From Friday, October 16 through Thursday, October 22: St. Anne’s Warehouse brings Henry IV to your home this week. 
  • From Friday, October 23 through Thursday, October 29: The trilogy of Shakespeare on film presented by St. Anne’s Warehouse ends with a personal favorite of mine: The Tempest.
  • Friday, October 30 through Sunday November 1: In case you missed any, all three of the Shakespeare on Film will be available this weekend from St. Anne’s Warehouse!

Music

  • Wednesday, October 7 at 7:30PM: This month, The Met Opera will be featuring one composer each week in their Nightly Opera Streams – which makes an opera available for 23 hours beginning each night at 7:30PM. The first week in October is Wagner Week. Wednesday night they will show the first part of the infamous Ring Cycle: Das Rheingold. The other three will be featured the following nights.
  • Monday, October 12 at 7:30PM: The Met Opera begins Donizetti Week. My favorite L’Elisir d’Amore, will be airing on Wednesday evening.
  • Tuesday, October 20 at 7PM: The Kupferberg Center of the Arts presents the Slavo Rican Assembly. The SRA unites some of the most notable musicians from the Caribbean and the Slavic worlds today. I have had the pleasure of seeing Jan Kus perform before. As a saxophone player and bandleader, he blends rich musical traditions from around the world in immensely entertaining and engaging ways. Followed by a Q&A session.

Literature

Poetry

  • Friday, October 16 at 12PM: Poets House broadcasts Canadian poet, essayist and translator Lisa Robertson reads prose from The Baudelaire Fractal.
  • Friday, October 30 at 12PM: Poet and writer Yona Harvey reads from her forthcoming collection You Don’t Have To Go To Mars for Love. Presented by Poets House.

Art

  • Ongoing: Need some art? The Godwin-Ternbach Museum resides on Queens College Campus but has been delivering virtual exhibitions and gallery talks to our screens at home. HUMAN/Nature: Portraits From the Permanent Collection is available as a virtual exhibit with information to pair with the art!
  • Tuesday, October 13 at 7:00PM: Join artist Azikiwe Mohammed as he talks us through his gallery from the Godwin-Ternbach Museum. Azikiwe hopes to offer a look at what Black people look like as told by Black people, not to / at Black people, as is too often the case. Registration is free but required.
  • Wednesday, October 28 at 6:00PM: In this Artist Talk, Queens College alumna and artist Deja Patterson will address how the ideals of beauty have changed throughout the course of history. Presented by The Godwin-Ternbach Museum. Registration is free but required.

Featured Resource: Alexander Street Press

If you’re looking for videos, you might want to check out Alexander Street Press!

This huge resource includes videos on all sorts of topics, from astronomy to gastronomy, and many different types of content as well! For instance, it includes:

  • Theatrical, musical and dance performances
  • Documentaries (including PBS documentaries)
  • Interviews
  • Instructional videos
  • Historical newsreels

A “channels” feature allows you to easily locate multiple videos on the same topic. A few examples:

Of course, there is much more!

The database includes some useful features to go with the videos.  Each video includes a transcript to help you navigate through it. Additionally, you can make clips or playlists to share with your class.

-Nancy Foasberg, Scholarly Communications Librarian.

New Digital Platform for Special Collections and Archives

Queens College Library is proud to launch a new digital platform for its Special Collections and Archives in partnership with the JSTOR Open Community Collections initiative. The site launches with close to 700 digital objects from our civil right collections, institutional archives, and rare books and manuscripts. The content is openly accessible on the web through JSTOR, a scholarly database used by more than 81 million scholars and students across 170 countries and territories every year. 

Working remotely this fall, Special Collections and Archives staff will catalog and upload hundreds of additional items to the site. Intern Kuba Pieczarski (funded by the Félix V. Matos Rodríguez Internship Fund) is expanding the new COVID-19 Collection documenting the experience of the Queens College community during the pandemic; Graduate Fellow Victoria Fernandez (funded by the Freda S. and J. Chester Johnson Endowment) is working with civil rights movement materials; and Archives Assistant and recent GSLIS graduate Caitlin Waldron is posting images of the campus through the decades. 

The collections benefit from JSTOR’s features and interface, including full-text search; citation management tools; filtering and faceting; content download; and sharing. Make sure to check out the site at https://www.jstor.org/site/queenscollegearchives/, including the Silhouette yearbook form 1941-2011; original photographs documenting the involvement of Queens College students in the Civil Rights Movement of the early to mid 1960s; rare manuscripts from our “Pages from the Past” collection; and the scrapbooks of Dr. Andrew Greller, Professor Emeritus of Biology.

You can learn more about the JSTOR Open Community Collections initiative at https://about.jstor.org/whats-in-jstor/open-community-collections/.